What's your ONE favourite guitar solo?

Last updated 11:51 27/11/2009

Guitar SoloI know that we looked at favourite guitar solos earlier in the year. Right at the start of the year in fact - we built a big list. And all the usual suspects were there - people mentioned Guns N' Roses' Sweet Child o' Mine; people raved about David Gilmour's liquid tone; about Jimi Hendrix and someone probably mentioned Steve Vai's For the Love of God.

I'm sure there was talk of George Harrison and Paul McCartney too? Or there should have been...both have played some great guitar solos.

It's subjective - that's what happens when you write a blog asking for people to list their favourites; the point is to get a range of answers - no right or wrong as they say...

Well, we're going to do it again. And this time you have to name just ONE.

Why?

Well, as many of you will know, from seeing the link at the bottom of the posts - and from joining (becoming a fan) yourself - I have started a Blog on the Tracks Facebook fan page.

And to try to keep things interesting there - as well as posting links to the blog and clips that pertain to topics, which lead on from discussions - I sometimes start a fresh topic just on the Facebook page.

The other day I found this clip - it's The Outlaws featuring a young Ritchie Blackmore (from Deep Purple/Rainbow/Blackmore's Night). Blackmore was, like many musicians from that era, a session player first. He worked with a range of folk and pop acts in the late 1950s and early 1960s.

I posted the clip and suggested it was my favourite guitar solo. I asked people to just pick one solo - not a list of the usual suspects - and some interesting names came up.

Someone suggested The Beatles' Something - saying (correctly) they wouldn't change a note.

Someone suggested Television's Marquee Moon - and made the link between that sound and Wilco's Nels Cline; not overtly, but there's clearly a connection.

And there were calls for Steve Howe, Walter Becker, John McLaughlin and Robert Fripp. All are great players of course - but it was heartening to see these names in place of the standard calls for Jeff Beck, Jimmy Page, Hendrix and so on...

I think this came from narrowing it down to just one solo.

For me, thinking of just one solo means I think of the expression that goes into it and the story behind it; not just the playing and the player.

One of my favourite guitar solos is Bruce Springsteen's Human Touch. I like it because of the sound of it - the journey it takes the song on - and because Springsteen himself plays it. He's no slouch in the guitar department but you never find him on the usual list of heroes.

Same deal with Tom Petty's Last Dance with Mary Jane - Petty usually chugs along behind Mike Campbell, but with this song he (literally) takes the lead.

As is the way with being asked to name a favourite, you pick one and instantly think of a dozen others.

I'm sticking with The Outlaws' Shake with Me - because whenever I hear it I think of the interview I heard with Blackmore where he describes being very proud of the solo. He talks about being told by the producer to "go nuts", to explore, to find shapes, to throw everything at it. He references the influence of listening to Jeff Beck (of competing with him). And I guess what I like about Slash's Stackthe solo - as much as the sound of it - is thinking back to being supplied with that information as a 13-year-old and being interested in pursuing it.

The interview finished and I couldn't wait to fast forward the tape through to the track in question; I listened to the song a couple of times in a row; then I focused just on the solo, rewinding it and marvelling at the madness within the sound.

Blackmore would not remain my all-time favourite guitarist for long (but he was, once) yet this song still stands because of the effort I put into understanding the effort of the solo. I hope that makes sense?

And now it's your turn. What ONE guitar solo is your favourite? And is there a story behind it? Is it because you learned to play the piece yourself (or tried and failed?) Is it similar to my story in that you invested time and energy in to researching/understanding the solo? Or is it - perhaps most importantly - because of an immediate visceral connection?

You can only pick one. So what one favourite guitar solo does it for you? And why?

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105 comments
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Noshow   #1   11:58 am Nov 27 2009

I'm torn between Mark Knophler's efforts on any of the early Dire Straits stuff, but particulary Tunnel of Love, Sultans of Swing or Telegraph Road.

If I had to pick one it'd have to be Tunnel of Love for no other reason than it was my favourite song of his / theirs for a very long time.

Don 1   #2   12:03 pm Nov 27 2009

Grossly unfair, making me pick just one. I like the idea of picking one for the relationship between listener and solo, though, but it doesn't make it easier.

There's Jeff Baxter's soaring, swooping work on Rikki Don't Lose That Number that still thrills me. Angus Young's solo on Whole Lotta Rosie off the If You Want Blood album is the first solo I ever truly loved (closely followed by the one off Let There Be Rock on the same album), so maybe that one. Johnny Fean's magnificent, monstrous solo on Horslips' Furniture (here: http://www.youtube.com/watch?v=O2JH79CpyWM) was part of the reason I wanted to play guitar, so maybe that one.

But the one I'll pick today (perhaps a different answer tomorrow) is Hugh Burns' piercing solo at the end of Gerry Rafferty's Baker Street. Visceral, urgent and perfectly weighted, it dissolves beautifully into Rafe Ravenscroft's sax outro on the full version of the song. A thing of beauty (I think it's here: http://www.youtube.com/watch?v=O2JH79CpyWM).

BP   #3   12:06 pm Nov 27 2009

Kirk Hammett's closer on Fade to Black - I've always loved the crescendo up to the freefall that it fades out on.

DtheBeat   #4   12:18 pm Nov 27 2009

I would have to say the my favourite and it is relatively new is off the third track of Mars Volta's Frances the Mute. I can't remember the name of the track but it is guest appearance by John Frusciante and opens with a mean screaming double bend I think (i no guitarist, i just drummer ergh ugh drool)

Sylvian   #5   12:23 pm Nov 27 2009

OK, just one that really gets to me. At first I was going to go for James Dean Bradfield's (Manic Street Preachers) solo on 'Archives of Pain' but, on reflection the one that really does it to me is Mick Ronson's on 'Moonage Daydream'. It's that pure Les Paul tone he has and, the way he bends like a mofo with all that reverb! In fact, almost every Ronson solo is pure gold and it was so said to see him go so young.

Scott A   #6   12:27 pm Nov 27 2009

Still going to pick the same one I did earlier in the year - Shayne Carter's solo at the end of Cast Stone, from the Straitjacket Fits album "Melt."

A swooping soaring exploration of feedback and texture, flying from dizzying heights down to abyssal depths, roaring and weeping as the song falters and falls behind it, lost in the sparkling wake of one New Zealand's finest guitarists. And, of course, one can never forget the context; of Straitjacket Fits while still being a resolutely independent and proud Flying Nun band never shied away from the importance of musicianship and musicality. Ending the album with a massive guitar solo was a bold and inspiring statement of intent.

Still send shivers down the spine when I listen to it today.

jo   #7   12:34 pm Nov 27 2009

sorry to be super-predictable, but...here goes...Jimmy Page on Stairway. Well, he does swap from one neck to the other, so it's impressive. So there!

Perhaps a secondary vote for something less predictable, which goes to the (albeit pretty brief) Springsteen solo on Prove It All Night. It's so crungey-sounding! No, I don't mean grungey-sounding, there's something to the tone of it that is difficult to describe.

Samuel   #8   12:39 pm Nov 27 2009

Damn that's pretty hard Sweetman, just to pick one. But today I will put forward Joey Santiago's classic solo from Hey.

Thelonious Funk   #9   12:40 pm Nov 27 2009

Off the top of my head - the Allman Bros version of Can't Lose What You Never Had. But an honorable mention to Pale Blue Eye's and Oh! Sweet Nothing by Velvet Underground, which are both impecable.

JeM   #10   12:47 pm Nov 27 2009

Audioslave - Like a Stone. I'm not a huge audioslave fan, but that ones my fav!


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