The Jennifer Batten Interview

Last updated 16:39 11/08/2010

Jennifer Batten made her name as the shock-haired, teased-out and tarted-up guitarist for Michael Jackson. Jackson was at the peak of his career, Batten was, arguably, at the beginning of hers.

Batten on stage with MJ

She tells me, down the line from America, shortly before travelling to New Zealand for this week's G-TARanaki Festival, that being in the Jackson band was her first major professional audition.

"Well, I was playing before that. Obviously. I'd been playing in bands for a while, in bars, doing covers and some originals. But, ah, yeah," - she pauses to chuckle as she thinks back and thinks for the right expression, "well, ah, it was definitely a leap! Let's, ah, put it that way. I just tried to do my best and not be nervous and, ah, it musta worked."

Batten looks back on her time as part of Jackson's touring band with much love and respect, singing the praises of the band-leader and saying that it was "just a total education". It was also rather surreal. "I mean, the wardrobe budget for the people on stage, for that first tour I did with him, was $1 million. I mean, do you believe that?" There's a burst of laughter this time, rather than the chuckle or trickle. "So, to go from playing in a bar to wigs and makeup and clothes - costumes, costume changes, I mean it was crazy. But it was brilliant. One million dollars," she reiterates. "And that was 1988. Imagine that today!"

The young Jennifer Batten was driven to pick up the guitar out of sibling rivalry. "My older sister had one - and I wanted it," she says laughing. Big sister is now a film-maker and Batten says there's no rivalry, both are happy. Little sister went from working as Michael Jackson's right-hand-lady to another giant of the music world - with quite a different image, approach and concept of what a live performance is.

Batten laughs when thinking of the differences between her two most famous bosses. It was from Michael Jackson to work alongside Jeff Beck in the late 1990s.

"I was very dedicated and played a lot; playing with Jeff and his band was hard work. But it was fun. It was a lot of work actually because I sorta became, by default actually, the musical director."

Batten, knowing that she is the hired-help rather than the star, has some fascinating insight to offer.

"When I worked with Jeff Beck I got the sense that he had been, ah, well, kinda 'beaten up' - by the other band members, by a lot of the other musicians he had worked with. I mean here's this guy with just so much ability, he was just a god to me, and then there I am on stage with him and I'm triggering the samples, playing the keys, creating harmony guitar parts; being treated as an equal and as springboard to bounce ideas off. It was completely different to the show with Michael but it was an amazing experience."

I'm able to tell Batten that I had interviewed Jeff Beck and that he had spoken very highly of her.

"Oh wow! Really?"

She seems genuinely blown away by it. I tell her that Beck had considered her a huge part of his resurgence to the world stage; a huge influence for forays in to world and dance music ideas.

"Well, that's just incredibly flattering, but I don't know. I feel like I took far more, in terms of ideas, from him. I mean, spent a lot of time working very hard to keep up with his ideas and to recreate his solos. He is just one of the wJennifer Battenorld's best and I spent about five years in that company. And it's a blessing. Truly, it is. It's just magic to even think back."

Here's a clip of Batten playing Flight of the Bumble Bee.

Work has not slowed down after three world tours with Michael Jackson throughout the late 1980s and early 1990s, a handful of solo recordings and session work and then on to five years with Jeff Beck's group. In fact, Batten says this year has been one of her busiest.

"I've been to Europe five times this year and to Japan twice, I'm heading off there again just before New Zealand. Then it's down to see you guys. I've got a tour of China and the UK." The work, she says, is "a bit of everything: some guitar festivals, clinics, solo shows - mostly festivals and guitar showcases."

Batten says she's "neurotic about band-mates" and has developed a multimedia-styled show where she plays guitar, creating new soundtracks to old film footage, stock footage, public domain clips. "It just seemed a new way for me to get my wacky-ass music out there," she offers, laughing. "And it's a relatively cheap way for me to tour, just the footage, my guitars and me. It's easy to set up and it's fun - well, hopefully it's fun. I enjoy it. And I've enjoyed people's responses to it."

There are still projects on the go outside this. Batten says she's working at her acoustic playing and spends a lot of time writing. "The driving force behind that really is just jamming. I'll write a drum loop, or create something to play over and then record ideas, listen to them, develop them from there. I just keep thinking of new ways to invent sounds, of new phrases to play. I worked hard at the guitar for so long and now it's good to have some fun."

Batten says "guitar got too technical", so she is opening her mind to country and jazz playing, to ideas outside of the rock, dance and world music fields. "I wanted to be a jazz player at one point," she pauses for effect, "but I got my butt kicked".

She recommends people check out Brad Paisley, one of the country players she has been exposed to ("one of the bad-ass players!") and says she still takes inspiration from George Lynch, Eddie Van Halen, Robben Ford and Joe Pass. But these days it is less about electric guitar, more about country, about world-beat and electronic music. And about finding new sounds and new ways to convey the new sounds.

A final word on her most famous band-leader: "Michael set people's minds alive; his fans, radio listeners, the musicians lucky to play with him."

Here's a clip of Batten playing Beat It live on tour with Michael Jackson.

And here's a clip of Batten with Jeff Beck tackling Blue Wind.

Jennifer Batten will play at this week's G-TARanaki Festival in New Plymouth.

Click here to visit her website.

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2 comments
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norris   #1   10:15 am Aug 12 2010

I still have one of my old Guitar Player magazines from 1984 where she appeared in the Spotlight new talent column. Getting into that column was an achievment in itself - other players featured back then included Tony MacAlpine, Yngwie Malmsteen, Shawn Lane and Vinnie Moore, amongst others.

She sounds amazingly humble but I must admit Tony MacAlpine is the main drawcard for me in this year's G-Taranaki festival. Hopefully they can get someone like Allan Holdsworth next time - maybe you could do a blog post on him - that would be interesting!!

The Business Imperative   #2   11:20 am Aug 13 2010

Jennifer had the chops to tackle Eddie Van Halen's solo in Beat it, playing it convincingly and make it her own. Get the recent MJ film "This Is It' and watch that aussie chick Orianthi try and fail to fill Jennifer's shoes. Her playing is too loose and and unfocused and also her rhythm chops leave alot to be desired. That black guy on 2nd guitar way outshines the littel aussie. But the sad post script is that Orianthi now has a steller career infron of her (even getting to record with Steve Vai who makes her chops look very insignificant). But its a sign of modern times. If Jennifer was younger and in that role again SHE would be the one getting the kudos that Orianthi is lapping up. Food for though. I like that clip of Jennifer with MJ in Budapest where her guitar emits a laser beam and her hair is spiked ten foot high. She walks and shreds.

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